Exploring 18th century carnevale operas

Gramaphone magazine’s rapturous review of this CD introduced me to the superb Swedish soprano Ann Hallenberg. A specialist in Baroque music, she and her musicologist husband have for some years put together programs highlighting various epigones from the 17th and 18th centuries. This album focuses on the eight-week carnival period in Venice between December 26, 1728, and February 27, 1729, with selections from all seven operas performed during that season, including works by such well known names as Albinoni and Porpora.

I am not a major bel canto fan, but when performed as exquisitely as this both technically and expressively, all those runs and roulades can be captivating. Gramaphone’s review rightly laud’s “Hallenberg’s pinpoint virtuosity and lyricism, communicative use of language, idiomatic embellishment, intelligently sculpted phrasing (limpid, gentle or turbulent as the music demands) and astute theatrical characterisation: time seems to stand still in Adelaide’s lament ‘Quanto bello agl’occhi miei’, sung sublimely over a sophisticated rolling string accompaniment, and the voice’s dialogue with violinist-director Stefano Montanari is shaded elegantly in Ottone’s lyrical alla francese aria ‘Vedrò più liete e belle’.”

Exquisitely accompanied by period ensemble Il pomo d’oro, this is a superb listening experience.