A capella musical theater

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As a still – if not eternally – aspiring musical theater orchestrator, it may seem self defeating to be lauding a show that uses no instruments at all. But this a capella musical is so extraordinary, especially in its use of voices in a panoply of sonic textures, that it’s truly inspiring on any music level.

Along with Michael R. Jackson’s A Strange Loop, this show by polymath composer Dave Malloy was the talk of New York’s theater scene in the summer of 2019, and in my opinion should have split the Pulitzer Prize. The piece (the Times dubbed it a “chamber opera” but it could also be called a multi-voiced song cycle) is an almost dizzying exploration of the effects of our obsession with and addiction to the digital world. And even with no instrumental backing, the score holds nothing back: this is as demanding a piece as you’ll find in any genre.

Each singer/character is given an aspect of internet addiction to explore. Much like Loop, this is also a raw, no holds barred work that is giddy with achievement.

This recording, funded by public contributions, was culled from several live performances which adds immeasurably to the viscerality of the experience: audience reactions are great signposts throughout the show.

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