The recent seismic events in the U.S. – particularly the long overdue revolution to address police brutality and systemic racism – has had the welcome and yet sad side-effect of adding to my listening list a number of living composers of color I’d never heard of before. Sad because my listen-to lists, which admittedly rely on well known outlets, rarely include this demographic (and that’s a whole other and much longer post). A situation the current times is happily changing.
Aside from a handful with whom I’m personally acquainted – Shelley Washington, Omar Thomas, Evan Williams, Kevin Day, Tania Leon, Marcos Balter (whose gorgeous Pan I had the honor to perform in) – I feel like I’m rarely exposed, virtually or at concerts, to the music of composers of color, particularly black composers.
Politics and optics aside, this baffles me. In particular this album of string quartets by British Jamaican composer Eleanor Alberga, has been a repeat listen since it was recommended several weeks ago by Evan. I would place any these vivid, imaginative, colorful, varied and voyaging works ahead of a number that are routinely trotted out on concerts because of name recognition. I hope that happens, especially with these superb performances by Ensemble Arcadiana. These pieces should be in the top of any quartet’s repertoire of living composers, regardless of demographics or box checking.
I realize one can’t listen to everything – well, Frank Oteri can, but some of us actually need sleep. I can’t wait to have my listening horizons expanded even wider, especially exploring more of Alberga’s work.